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		<title>January 2008 | MulesRasch</title>
		<link>http://www.mulesrasch.com/blog_archives/2007/april_2007_2/</link>
		<description></description>
		<language>en</language>
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			<title>Otto Joachim receives an homage</title>
			<link>http://www.mulesrasch.com/blog_archives/2007/april_2007_2/otto_joachim_receives_an_ho.html</link>
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				&lt;div class="article-summary"&gt;&lt;p style="text-align: center;"&gt;&lt;/p&gt;&lt;p style="text-align: left; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; color: rgb(59, 7, 0); font-family: Helvetica; font-size: 12px;"&gt;&lt;span style="color: rgb(0, 0, 0); font-family: Times; font-size: 16px;"&gt;German-born Canadian composer &lt;b style="padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px;"&gt;&lt;a href="http://www.thecanadianencyclopedia.com/index.cfm?PgNm=TCE&amp;amp;Params=U1ARTU0001761SUBLinks" target="_blank" style="padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px;"&gt;Otto Joachim&lt;/a&gt;&lt;/b&gt;, received a special homage during the gala of the &lt;b style="padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px;"&gt;Prix Opus&lt;/b&gt; in Montreal\s Salle Claude-Champagne. &lt;/span&gt;&lt;/p&gt;&lt;p style="text-align: left; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; color: rgb(59, 7, 0); font-family: Helvetica; font-size: 12px;"&gt;Joachim, also a violinist, founded the Montreal String Quartet and the Montreal "Ensemble de Musique Ancienne" (an early music group). During the evening, his son, virtuoso guitarist &lt;b style="padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px;"&gt;&lt;a href="http://www.thecanadianencyclopedia.com/index.cfm?PgNm=TCE&amp;amp;Params=U1ARTU0003857" target="_blank" style="padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px;"&gt;Davis Joachim&lt;/a&gt;&lt;/b&gt;, performed one of his father's pieces. 
&lt;/p&gt;&lt;p style="text-align: left; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; color: rgb(59, 7, 0); font-family: Helvetica; font-size: 12px;"&gt;Joachim, who is 97 years old, was in attendance. Due his advanced age, they had to give his award at his seat. 
&lt;/p&gt;&lt;p style="text-align: left; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; color: rgb(59, 7, 0); font-family: Helvetica; font-size: 12px;"&gt;Oh! and by the way, Joachim has written a saxophone quartet (there had to be a sax connection). Entitled &lt;b style="padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px;"&gt;Interlude&lt;/b&gt;, it is a brief little piece, written in 1960. The original score is available at the &lt;a href="http://www.musiccentre.ca/apps/index.cfm?fuseaction=score.FA_dsp_details&amp;amp;bibliographyid=747&amp;amp;dsp_page=2&amp;amp;Sortby=Title" target="_blank" style="padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px;"&gt;Canadian Music Center&lt;/a&gt;&lt;a href="http://www.musiccentre.ca/apps/index.cfm?fuseaction=score.FA_dsp_details&amp;amp;bibliographyid=747&amp;amp;dsp_page=2&amp;amp;Sortby=Title" target="_blank" style="padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px;"&gt;&lt;span style="text-decoration: none;"&gt;.&lt;/span&gt;&lt;/a&gt;
&lt;/p&gt;&lt;p style="text-align: left;"&gt;&lt;br class="webkit-block-placeholder" style="padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; color: rgb(59, 7, 0); font-family: Helvetica; font-size: 12px;" /&gt;&lt;/p&gt;&lt;p&gt;&lt;img width="320" height="5" src="http://www.mulesrasch.com/_Media/pastedgraphic-16_med.jpeg" alt="pastedgraphic-16_textmedium" class="first" /&gt;
&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;/div&gt;
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			<pubDate>Tue, 29 Jan 2008 02:12:58 -0500</pubDate>
			<guid>http://www.mulesrasch.com/blog_archives/2007/april_2007_2/otto_joachim_receives_an_ho.html</guid>
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			<title>Cantankerous, intimidating... not here</title>
			<link>http://www.mulesrasch.com/blog_archives/2007/april_2007_2/cantankerous_intimidating_n.html</link>
			<description>
				&lt;div class="article-summary"&gt;&lt;p&gt;A rencent posting by Doug Ramsey on his blog &lt;b&gt;&lt;a href="http://www.artsjournal.com/rifftides/" target="_blank"&gt;Rifftides&lt;/a&gt;&lt;/b&gt;, talks about &lt;b&gt;Ben Webster&lt;/b&gt;'s personality, how  "... Webster could be cantankerous, intimidating; one of his nicknames was The Brute." Then he then sends us to this beautiful &lt;a href="http://youtube.com/watch?v=rgMg-HXyQzE&amp;amp;feature=related" target="_blank"&gt;youtube clip&lt;/a&gt; showing &lt;b&gt;Webster&lt;/b&gt; performing &lt;b&gt;&lt;i&gt;Perdido&lt;/i&gt;&lt;/b&gt; with the late &lt;b&gt;Oscar Peterson&lt;/b&gt; at the piano which definitely shoes &lt;b&gt;Webster&lt;/b&gt; more gentle side. 
&lt;/p&gt;&lt;p&gt;&lt;span style="font-size: 14px;"&gt;That made my day!!&lt;/span&gt;&lt;/p&gt;&lt;div style="text-align: center;"&gt; 
&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: rgb(0, 0, 0); font-family: Times; font-size: 16px;"&gt;&lt;img width="320" height="5" src="http://www.mulesrasch.com/_Media/pastedgraphic-16_med.jpeg" alt="pastedgraphic-16_textmedium" class="first" /&gt;&lt;/span&gt;&lt;br class="webkit-block-placeholder" /&gt;&lt;/div&gt;&lt;/div&gt;
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			<pubDate>Mon, 28 Jan 2008 11:30:51 -0500</pubDate>
			<guid>http://www.mulesrasch.com/blog_archives/2007/april_2007_2/cantankerous_intimidating_n.html</guid>
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			<title>Tour alert</title>
			<link>http://www.mulesrasch.com/blog_archives/2007/april_2007_2/tour_alert_2.html</link>
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				&lt;div class="article-summary"&gt;&lt;p&gt;Something to look out for. &lt;b&gt;The Saxophone Ensemble of the Paris Conservatory&lt;/b&gt; under the direction of &lt;b&gt;&lt;a href="#"&gt;Claude Delangle&lt;/a&gt;&lt;/b&gt;&lt;b&gt; &lt;/b&gt;will be touring North America between February 7 and 22, 2008. Cities they are scheduled to visit include Boston, Lansing, Evanston-Chicago, Minneapolis and Los Angeles. 
&lt;/p&gt;&lt;p&gt;&lt;a href="http://www.asaxweb.com/classes/8_conservatoire_de_paris_cnsmdp/archive/194_ensemble_de_saxophones_du_cnsmdp.html" target="_blank"&gt;Here is a link to a description of the ensemble (in French).&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="color: rgb(0, 0, 0); font-family: Times; font-size: 16px;"&gt;&lt;span style="padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;div style="text-align: center; text-align: center;"&gt;&lt;span style="color: rgb(0, 0, 0); font-family: Times; font-size: 16px;"&gt;&lt;img width="320" height="5" src="http://www.mulesrasch.com/_Media/pastedgraphic-16_med.jpeg" alt="pastedgraphic-16_textmedium" class="first" /&gt;&lt;span style="color: rgb(59, 7, 0); font-family: Helvetica; font-size: 12px; text-align: center;"&gt; &lt;/span&gt;&lt;br class="webkit-block-placeholder" /&gt;&lt;!--    /Rich Text Element    --&gt; &lt;!--    article-content    --&gt;&lt;/span&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;&lt;/div&gt;
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			<pubDate>Fri, 25 Jan 2008 11:41:10 -0500</pubDate>
			<guid>http://www.mulesrasch.com/blog_archives/2007/april_2007_2/tour_alert_2.html</guid>
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			<title>New Works - New WIKI</title>
			<link>http://www.mulesrasch.com/blog_archives/2007/april_2007_2/new_works_-_new_wiki.html</link>
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				&lt;div class="article-summary"&gt;&lt;p&gt;I have just set up a new WIKI as a ressource to keep us informed of any new pieces written or performed for saxophone. 
&lt;/p&gt;&lt;p&gt;For those of you unfamiliar with a WIKI, it is an interactive web site which can be edited by many people. The best example of this is &lt;a href="http://en.wikipedia.org/wiki/Wikipedia" target="_blank"&gt;Wikipedia&lt;/a&gt;. 
&lt;/p&gt;&lt;p&gt;Well, now we have our own wiki site. 
&lt;/p&gt;&lt;p&gt;What I propose is a collaborative of all saxophonist and composers who wish to keep us informed of new pieces which are being created. As we all now, the saxophone repertoire has grown exponentially in the last decades and although books such as &lt;a href="#"&gt;Jean-Marie Londeix&lt;/a&gt;'s &lt;b&gt;A Comprehensive Guide to the Saxophone Repertoire&lt;/b&gt; are a great ressource, they become outdated the minute they hit the bookstore. 
&lt;/p&gt;&lt;p style="text-align: center;"&gt;Enter 
&lt;/p&gt;&lt;p style="text-align: center;"&gt;&lt;span style="font-size: 14px;"&gt;&lt;b&gt;&lt;a href="#"&gt;The Saxophone New Works WIKI&lt;/a&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="text-align: center;"&gt;&lt;span style="font-size: 14px;"&gt;&lt;b&gt;&lt;br class="webkit-block-placeholder" /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;The internet can serve as a better medium to keep us abreast of all the latest developments in our field. And I feel a Wiki is the ideal setting, since no one person needs to be the sole provider of information. The whole community can participate and become the ressource.
&lt;/p&gt;&lt;/div&gt;
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			<pubDate>Thu, 24 Jan 2008 08:31:12 -0500</pubDate>
			<guid>http://www.mulesrasch.com/blog_archives/2007/april_2007_2/new_works_-_new_wiki.html</guid>
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			<title>Oratorio by Douglas J. Cuomo</title>
			<link>http://www.mulesrasch.com/blog_archives/2007/april_2007_2/oratorio_by_douglas_j_cuomo.html</link>
			<description>
				&lt;div class="article-summary"&gt;&lt;p&gt;I was listening to the archives of the &lt;b&gt;&lt;a href="http://www.wnyc.org/shows/newsounds/" target="_blank"&gt;New Sounds&lt;/a&gt;&lt;/b&gt; radio show, which is broadcast and webcast every evening on &lt;b&gt;WNYC&lt;/b&gt;. On this particular show, music draw from Hindu scriptures was being featured. As one would expect, &lt;b&gt;Philip Glass&lt;/b&gt;'s &lt;i&gt;Satyagraha&lt;/i&gt; was featured. But weaved between two excerpts from Glass's opera, I got to hear an oratorio by composer &lt;b&gt;&lt;a href="#"&gt;Douglas J. Cuomo&lt;/a&gt;&lt;/b&gt;. 
&lt;/p&gt;&lt;p&gt;The name didn't ring a bell, as it might not for you either. But most everyone has heard his music in one fashion or another. He has written some TV music for such shows as &lt;b&gt;Sex and the City&lt;/b&gt; and &lt;b&gt;Homicide: Life on the Streets&lt;/b&gt;. 
&lt;/p&gt;&lt;p&gt;What grabbed my attention on the New Sounds program was his &lt;b&gt;&lt;a href="#"&gt;Arjuna's Dilemma&lt;/a&gt;&lt;/b&gt;. This is a fascinating compendium of Hindu flavored sounds with modern western music. In the mist of this, an improvising saxophone weaves its way in the music. 
&lt;/p&gt;&lt;p&gt;On his website, Cuomo informs us that &lt;b&gt;&lt;a href="#"&gt;Arjuna's Dilemma&lt;/a&gt;&lt;/b&gt; will be touring in the 2008-09 season, with specific dates and locations to be announced. Something to look for and to look forward to. You can also hear excerpts from the work on the &lt;a href="http://www.douglasjcuomo.com/arjuna.html" target="_blank"&gt;composer's site&lt;/a&gt; as well as the above-mentioned &lt;b&gt;New Sounds&lt;/b&gt; site. 
&lt;/p&gt;&lt;/div&gt;
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			<pubDate>Mon, 21 Jan 2008 15:51:06 -0500</pubDate>
			<guid>http://www.mulesrasch.com/blog_archives/2007/april_2007_2/oratorio_by_douglas_j_cuomo.html</guid>
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			<title>Saxes and the Orchestra</title>
			<link>http://www.mulesrasch.com/blog_archives/2007/april_2007_2/saxes_and_the_orchestra_2.html</link>
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				&lt;div class="article-summary"&gt;&lt;p&gt;One of my special interest is the role the saxophone has in the &lt;span&gt;&lt;i&gt;classical symphony orchestra&lt;/i&gt;&lt;/span&gt;. Most people only know of a few pieces which have made their way into the mainstream with the saxophone playing a role in this formation. 
&lt;/p&gt;&lt;p&gt;&lt;b&gt;Adolphe Saxe&lt;/b&gt; had the use of the saxophone in the orchestra in mind when he first designed our favorite instrument. He even built a full family of F and C saxophones just for this purpose. His thinking was that the Bb/ Eb saxes would be able to adjust more easily to the tunings of the wind bands and the C/F instruments would work well with the orchestral instruments. 
&lt;/p&gt;&lt;p&gt;Well, as we all know, even the best laid plans don't always work out. I'll discuss some of the reasons why this didn't happen in later posts. 
&lt;/p&gt;&lt;p&gt;We all know about &lt;b&gt;Ravel's Bolero&lt;/b&gt;, &lt;b&gt;Moussorgsky's Pictures at an Exhibition&lt;/b&gt; or &lt;b&gt;Gershwin's Rhapsody in Blue&lt;/b&gt;, just to name the most obvious. But composers of all stripes have been enhancing their orchestral palette by adding the beautiful and expressive sounds of the saxophone family. Where most of you may be aware of a few dozen pieces of this ilk, I've collated information for close to 3,000 such pieces. You can expect my discussing some of these in the future. 
&lt;/p&gt;&lt;/div&gt;
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			<pubDate>Sat, 19 Jan 2008 11:45:08 -0500</pubDate>
			<guid>http://www.mulesrasch.com/blog_archives/2007/april_2007_2/saxes_and_the_orchestra_2.html</guid>
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			<title>Moscow Saxophone Quintet DVD</title>
			<link>http://www.mulesrasch.com/blog_archives/2007/april_2007_2/moscow_saxophone_quintet_dv.html</link>
			<description>
				&lt;div class="article-summary"&gt;&lt;p&gt;The New York based &lt;a href="http://www.view.com/" target="_blank"&gt;&lt;b&gt;V.I.E.W. Video&lt;/b&gt;&lt;/a&gt; have just released a new DVD by the &lt;b&gt;&lt;a href="#"&gt;Moscow Saxophone Quintet&lt;/a&gt;&lt;/b&gt;. The Quintet is actually a larger group, in a Supersax style format, which produces high level energy in a wide range of material, from Fats Waller to the Beatles, and Gershwin to Charlie Parker. This seems like an exciting document to get. 
&lt;/p&gt;&lt;p&gt;&lt;br class="webkit-block-placeholder" /&gt;&lt;/p&gt;&lt;p style="text-align: center;"&gt;&lt;span style="color: rgb(0, 0, 0); font-family: Times; font-size: 16px;"&gt;&lt;span style="padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px;"&gt;&lt;img width="208" height="288" src="http://www.mulesrasch.com/_Media/pastedgraphic-12_med.jpeg" alt="pastedgraphic-12_textmedium" class="first" /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="text-align: center;"&gt;&lt;b&gt;The Moscow Sax Quintet: The Jazznost Tour&lt;/b&gt; 
&lt;/p&gt;&lt;p&gt;&lt;br class="webkit-block-placeholder" /&gt;&lt;/p&gt;&lt;p&gt;You can get a taste of what it's all about with a &lt;a href="http://www.view.com/vidpreview1318.html" target="_blank"&gt;preview clip&lt;/a&gt; which is available on the V.I.E.W. web site.
&lt;/p&gt;&lt;/div&gt;
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			<pubDate>Thu, 17 Jan 2008 13:59:39 -0500</pubDate>
			<guid>http://www.mulesrasch.com/blog_archives/2007/april_2007_2/moscow_saxophone_quintet_dv.html</guid>
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			<title>Havel, Joy, Versanaud and EISB</title>
			<link>http://www.mulesrasch.com/blog_archives/2007/april_2007_2/havel_joy_versanaud_and_eis.html</link>
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				&lt;div class="article-summary"&gt;&lt;p&gt;I've added new pages to the Composers and Performers lists. 
&lt;/p&gt;&lt;p&gt;&lt;br class="webkit-block-placeholder" /&gt;&lt;/p&gt;&lt;p&gt;You can now find out about French composer and saxophonist &lt;a href="#"&gt;&lt;b&gt;Christophe Havel&lt;/b&gt;&lt;/a&gt; who is based in Bordeaux and is a member of the &lt;a href="#"&gt;&lt;b&gt;Proxima Centauri&lt;/b&gt;&lt;/a&gt; ensemble. 
&lt;/p&gt;&lt;p&gt;&lt;br class="webkit-block-placeholder" /&gt;&lt;/p&gt;&lt;p&gt;You'll also find a new page on French composer &lt;a href="#"&gt;&lt;b&gt;Jérôme Joy&lt;/b&gt;&lt;/a&gt; who is based in Nice, France.
&lt;/p&gt;&lt;p&gt;&lt;br class="webkit-block-placeholder" /&gt;&lt;/p&gt;&lt;p&gt;Also new to the list is &lt;a href="#"&gt;&lt;b&gt;Joël Versavaud&lt;/b&gt;&lt;/a&gt;, another French sax player, based in Marseille. 
&lt;/p&gt;&lt;p&gt;&lt;br class="webkit-block-placeholder" /&gt;&lt;/p&gt;&lt;p&gt;I've also started a page about the &lt;a href="#"&gt;&lt;b&gt;Ensemble International de Saxophones de Bordeaux&lt;/b&gt;&lt;/a&gt;, which &lt;a href="#"&gt;&lt;b&gt;Jean-Marie Londeix&lt;/b&gt;&lt;/a&gt; founded in the 1980s. This page will be an ongoing project, since many players, mostly students of Londeix, have performed in the ensemble and a lot of music for large saxophone ensemble has been commissioned for the group. Another part of the Londeix immense legacy,
&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;div style="text-align: center;"&gt;&lt;br class="webkit-block-placeholder" /&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;img width="320" height="5" src="http://www.mulesrasch.com/_Media/brownbar.gif" alt="brownbar" class="first" /&gt;
&lt;/div&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;br class="webkit-block-placeholder" /&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;/div&gt;
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			<pubDate>Wed, 16 Jan 2008 13:03:10 -0500</pubDate>
			<guid>http://www.mulesrasch.com/blog_archives/2007/april_2007_2/havel_joy_versanaud_and_eis.html</guid>
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			<title>I Got Rhythm Variations</title>
			<link>http://www.mulesrasch.com/blog_archives/2007/april_2007_2/i_got_rhythm_variations.html</link>
			<description>
				&lt;div class="article-summary"&gt;&lt;p&gt;1934, 74 years ago, &lt;a href="#"&gt;George Gershwin&lt;/a&gt; premiered his &lt;a href="#"&gt;"I Got Rhythm" Variations&lt;/a&gt; at Symphony Hall in Boston. 
&lt;/p&gt;&lt;p&gt;Why should this be of any interest to sax players? 
&lt;/p&gt;&lt;p&gt;Just part of the history of the instrument. Gershwin was one composer who didn't hesitate using saxophones in his symphonic works. 
&lt;/p&gt;&lt;p&gt;We should celebrate his music as well as that of all the other composers who have been enticed into adding the beauty of the saxophone's tone and its flexible dexterity to the repertoire of the symphony.
&lt;/p&gt;&lt;p&gt;We have to remember that Adolphe Sax's original intent was for the saxophone to find a home in the symphony. 
&lt;/p&gt;&lt;p&gt;&lt;br class="webkit-block-placeholder" /&gt;&lt;/p&gt;&lt;/div&gt;
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			<pubDate>Mon, 14 Jan 2008 15:50:13 -0500</pubDate>
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			<title>John 'Buzz' Jones</title>
			<link>http://www.mulesrasch.com/blog_archives/2007/april_2007_2/john_buzz_jones.html</link>
			<description>
				&lt;div class="article-summary"&gt;&lt;p&gt;My net meanderings have led me to the site of &lt;a href="#"&gt;John 'Buzz' Jones&lt;/a&gt;, a composer and jazz bassist based in Gettysburg, PA. A sampling of his work can be heard on his web site : &lt;a href="http://www.buzzjones.net/Audioclips.htm" target="_blank"&gt;http://www.buzzjones.net/Audioclips.htm&lt;/a&gt;
&lt;/p&gt;&lt;br /&gt;&lt;div&gt;Most interesting is his &lt;b&gt;&lt;a href="#"&gt;Axiom Asunder&lt;/a&gt;&lt;/b&gt;, which was recorded by the &lt;i&gt;Majestic Jazz Orchestra&lt;/i&gt;. The piece will be performed next week (Sunday, &lt;span style="color: rgb(0, 0, 0); font-family: Times; font-size: 16px;"&gt;&lt;span style="padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px;"&gt;&lt;span style="padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; color: rgb(59, 7, 0); font-family: Helvetica; font-size: 12px;"&gt;, January 20) in Gettysburg's Majestic Theater. You can hear an interview with Dr. Jones as well as read program notes about the piece on the &lt;a href="http://composingthoughts.blogspot.com/2008/01/special-feature-john-buzz-jones.html" target="_blank"&gt;Composing Thoughts&lt;/a&gt; blog. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
&lt;/div&gt;&lt;/div&gt;
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			<pubDate>Sun, 13 Jan 2008 08:26:39 -0500</pubDate>
			<guid>http://www.mulesrasch.com/blog_archives/2007/april_2007_2/john_buzz_jones.html</guid>
            
			
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			<title>Delvincourt, 120 years ago</title>
			<link>http://www.mulesrasch.com/blog_archives/2007/april_2007_2/delvincourt_120_years_ago.html</link>
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				&lt;h4 class="title pagelet-title"&gt;&lt;span class="in"&gt;Guy Lafitte recordings&lt;/span&gt;&lt;/h4&gt;
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	&lt;/div&gt;&lt;p&gt;Today we celebrate &lt;b&gt;Claude Delvincourt&lt;/b&gt;'s 120th anniversary. 
&lt;/p&gt;&lt;p style="text-align: center;"&gt;&lt;img width="180" height="256" src="http://www.mulesrasch.com/_Media/pastedgraphic-7_med.jpeg" alt="image" class="not-first-item" /&gt;&lt;br class="webkit-block-placeholder" /&gt;
&lt;/p&gt;&lt;p&gt;Delvincourt was born in Paris and died in Italy in April 1954. Best know in the saxophone community for his &lt;b&gt;&lt;i&gt;Croquembouches&lt;/i&gt;&lt;/b&gt; which many a sax student played in their school years. Some of the movements were recorded by &lt;a href="http://www.bbc.co.uk/radio/aod/mainframe.shtml?http://www.bbc.co.uk/radio/aod/radio3.shtml"&gt;&lt;/a&gt;&lt;a href="#"&gt;&lt;b&gt;Jean-Marie Londeix&lt;/b&gt;&lt;/a&gt; and can be found on the recording in the Amazon.com link.
&lt;/p&gt;&lt;p&gt;&lt;br class="webkit-block-placeholder" /&gt;&lt;/p&gt;&lt;p&gt;Also born on this date is French jazz tenor sax player, &lt;b&gt;Guy Lafitte&lt;/b&gt; (b. 1927), and Boston native &lt;b&gt;Jane Ira Bloom&lt;/b&gt; (b. 1955), 
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			<pubDate>Sat, 12 Jan 2008 17:13:57 -0500</pubDate>
			<guid>http://www.mulesrasch.com/blog_archives/2007/april_2007_2/delvincourt_120_years_ago.html</guid>
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			<title>New year - new discoveries</title>
			<link>http://www.mulesrasch.com/blog_archives/2007/april_2007_2/new_year_-_new_discoveries.html</link>
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				&lt;div class="article-summary"&gt;&lt;p&gt;First, I'd like to wish everyone a great new year.
&lt;/p&gt;&lt;p&gt;&lt;br class="webkit-block-placeholder" /&gt;&lt;/p&gt;&lt;p&gt;I haven't been too active over the course of the last month. But with a new year comes new resolutions. Part of mine is to be more active with this blog. 
&lt;/p&gt;&lt;p&gt;&lt;br class="webkit-block-placeholder" /&gt;&lt;/p&gt;&lt;p&gt;So to start the new year on the right foot, I've added a few items in my composer and performer lists. 
&lt;/p&gt;&lt;p&gt;&lt;br class="webkit-block-placeholder" /&gt;&lt;/p&gt;&lt;p&gt;Among these are a new page for &lt;a href="#"&gt;Anthony Braxton&lt;/a&gt;. One of the saxophone world's most prolific composers and performers, he is a daunting personality to explore, whether you approach him from a classical of a jazz perspective. You'll find several links to some interesting documents about him, including some directly to his site.
&lt;/p&gt;&lt;p&gt;&lt;br class="webkit-block-placeholder" /&gt;&lt;/p&gt;&lt;p&gt;From another generation, I've just discovered a Spanish saxophonist named &lt;a href="#"&gt;Agusti Martinez&lt;/a&gt;. Part of the new avant-garde scene in Barcelona. You'll find links to his myspace page where you can hear a sampling of his work. 
&lt;/p&gt;&lt;p&gt; 
&lt;/p&gt;&lt;p&gt;A third addition to the site is &lt;a href="#"&gt;Frank Macchia&lt;/a&gt;. He is a Grammy nominated composer/orchestrator who has worked on several feature films and TV programs. Some of them you might have heard of like &lt;i&gt;Lost&lt;/i&gt; or &lt;i&gt;Superman Returns&lt;/i&gt;. I've just heard some of his original works which includes some works for saxophone and orchestra. Oh, and by the way, he is also a sax player. 
&lt;/p&gt;&lt;/div&gt;
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			<pubDate>Sat, 12 Jan 2008 11:18:48 -0500</pubDate>
			<guid>http://www.mulesrasch.com/blog_archives/2007/april_2007_2/new_year_-_new_discoveries.html</guid>
            
			
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