April 2008
Passing of another giant
Jazz great Jimmy Giuffre passed away on Thursday (read New York Times article). He would have been 87 today.
Prolific on many instruments, he will mostly be remembered for his clarinet playing and his role as one of Woody Herman's "Four Brothers" on tenor. Based on Giuffre composition of the same name which featured a new configuration within the big band. The piece was set with the an alto (played by Sam Marowitz), three tenors (Stan Getz, Zoot Sims and Herb Steward) and a baritone sax (Serge Chaloff). The emphasis of this particular piece, especially with these particular players, featured the three tenors, influenced by the Lester Young school of playing. The alternation between the individual soloists and the relaxed, free flowing, non vibrato playing gave this piece a special coloration which enthused Herman and became a trademark of his ensemble.
Here's a great clip which shows Giuffre's proficiency on multiple instruments as he moves from baritone sax to clarinet to tenor sax in a trio setting of "The Train and the River". This also highlights another of Giuffre's contribution to jazz history, the drumless trio. As Ben Ratliff explains:
"His album “Tangents in Jazz” (1955) did away with chordal instruments like piano or guitar two years before Sonny Rollins famously did so; his trios from 1956 to 1961 were without a drummer, prefiguring the quieter, classical-timbred music of vanguardist jazz circles in the 1980s." [New York Times, April 26, 2008]

A music trasher, saxophone screamer
Spent the day getting initiated to the chaotic sound world of Swedish composer and saxophonist Dror Feiler. He describes himself as a music trasher, saxophone screamer and a computer terrorist.
After viewing a few video clips on youtube and listening to mp3s of his "The Return of the Real" (which can be downloaded from his site), I can defenitely say, "he's not kidding".
He describes his music this way:
My music is a flow of sounds, noises, forces, it develops to a point where it goes beyond itself. The speed with which different sound elements follow each other, and the density with which they superimpose vertically, are so great that a sort of overload occurs, one which transcends the restlessness of arousal, like a film run through at a too high speed.
The occasional passages with tones, harmonies and sounds in a more "normal" rate can, in context, seem almost banal - a measure of the distance we have travelled in the music. The intuitive molten metal brutality of the music brings the player into the energy of a hot improvisation. A new music is created, a new speed of thinking and feeling where the intellect meets the manic raver. We experience an energy born of rapid movement, sound, noise, flow and expression. The music does something palpable to its listeners, or at least incites them to a form of action, of awakening.
The most immediate audible characteristic of my music is its noisiness.
Feiler is nothing if not a provocateur. Earlier this month, his new symphony, Halat Hisar (State of Siege), which was scheduled to be premiered by the Bavarian Radio Symphony Orchestra was cancelled because the musicians in the orchestra were complaining that the music was so loud that it caused them pain and discomfort. (read this article in the Guardian)
He was also part of a controversial art installation called Snow White and The Madness of Truth which was vandalized by the Israel's ambassador to Sweden in 2004. (link to this article on CBS News, and this Wikipedia article)
Here's a glimpse of this new music revolutionary in action on youtube in a 2007 performance with Drum Ecstasy.

Greg Caffrey, Irish composer
Here is an interesting interview with Irish composer Greg Caffrey.
You can hear some more of this interview, including excerpts of some of Caffrey's music which includes a couple of saxophone piece: Honk! and Pluck, Blow, at this site: An Interview with Greg Caffrey at the Contemporary Music Center Ireland. You'll find two audio files for over 25 minutes of the interview as well as a transcript of it.
Something else in the Tenor Lineup
And then we have something different for the tenor rostrum. Henry Holt and Co. is coming out with a new illustrated biography by Carole Boston Weatherford, illustrated by Sean Qualls of John Coltrane's younger years.
Before John Was a Jazz Giant looks like an interesting read.

"Young John Coltrane was all ears. And there was a lot to hear growing up in the South in the 1930s: preachers praying, music on the radio, the bustling of the household. These vivid noises shaped John’s own sound as a musician. Carole Boston Weatherford and Sean Qualls have composed an amazingly rich hymn to the childhood of jazz legend John Coltrane." (from the Publisher comments)

Some Tenor Sadness
After yesterday's Tenor Nostalgia, here is some Tenor Sadness as I hear about two excellent tenor players who have just passed away.
Monday, April 7th saw Phil Urso, 82, passed away in Denver where he settled in the 1960s after having been part of the West Coast scene for a number of years, most notably with Chet Baker and his groups.
Here are some interesting tributes about Urso and his legacy.
Saxophonist Phil Urso RIP by David at the WFIU blog from NPR at Indiana Universuty and Remembering Phil Urso (1925-2008).by Ted Gioia at jazz.com. The last site includes a youtube file of a Chet Baker big band recording.
Earlier this week, on Sunday, Donald Walden, an influential tenor player in Detroit died after his battle with cancer. He was 69. He taught at the Michigan State University, Oberlin Conservatory in Ohio, and eventually found his way to the University of Michigan.
You can read the obit from the Detroit Free Press here.
Mark Stryker notes that "Walden followed his friends to New York in 1960, where he played with Grant Green, Joe Chambers, Booker Ervin and Sun Ra, but he returned home in 1966 for more opportunities to work. He played in Aretha Franklin's band for five years and toured widely with Stevie Wonder, the Temptations and Four Tops. He played jazz, too, of course, and eventually found security as a teacher."

Some Tenor Nostalgia
Doug Ramsey on his blog Rifftides, points us to some video clips of Zoot Sims and Al Cohn dating back to 1968. Watching this bit of live TV makes me miss the good old days when TV was live and, well, alive. We don't get many occasions these days of seeing and, more importantly hearing great masters at work at their craft.
Wouldn't it be interesting to see some network invest in real established talent as showcases instead of the "America's Got Talent" pablum which they seem so intent on feeding their public.
Anyway, Sims and Cohn show off their stuff in this performance of Burt Bacharach's "What The World Needs Now Is Love" followed by Cohn's "Doodleoodle" with Stan Tracey on piano, Dave Green on bass and Phil Seamen on drums.
Nice to know that the internet can serve up such great archives.
Some not so new music
I was recently pointed to a web site about an early pioneer of the saxophone: Ali Ben Sou Alle.
Interesting figure who was active in the 1850-1860's. Born Charles-Valentin Soualle, he received a first prize in Clarinet at the Paris Conservatory in 1844. After the 1848 Revolution, he found himself exiled to England where he took up the saxophone. He added the single octave key mechanism (the modern system which still exists today). He became known as a virtuoso of the instrument and travelled world wide introducing the sax to Australia, New Zealand, Java, China and India. He finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. That is where he converted to Islam and changed his name to Ali Ben Sou Alle.
Around 1860, Soualle returned to France.
Thanks to Paul Wehage for his research and his work uncovering and publishing the works of this intriguing personality.
You can find some of Ali Ben Sou Alle's music published by Musik Fabrik as well as a longer biographical sketch at this link: http://www.classicalmusicnow.com/absa.htm#French.

January 2008
- Otto Joachim receives an homage
- Cantankerous, intimidating... not here
- Tour alert
- New Works - New WIKI
- Oratorio by Douglas J. Cuomo

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